Друзья и единомышленники

Yamazaki Maso began home recording in 1987. He took the name Masonna for his solo noise project, and at the same time set up the independent label Coquette, on which he released several cassettes. Between '89 and '90, his debut LP and CD were released on the Kyoto-based label Vanilla Records. In addition, he gradually cemented his reputation on the underground scene through extremely limited (between 1 and 10 copies) 7' acetate releases cut on a portable cutting machine, a bootleg LP (split with Violent Onsen Geisha) on RRR (USA), and many appearances on compilations from both Japanese and overseas noise labels such as Beast 666 (Japan) and Unclean Production (Germany). Before beginning Masonna, Yamazaki listened to a lot of hard rock, death metal, hardcore punk, grindcore, and power electronics, and it was his unique digestion and interpretation of the original energy that this music possessed that led to his development of an unparalleled style of condensed fury. Moment by moment he emits screams and switchbacks of razor-sharp sound. This continuous stream of dazzling, rockist, catastrophic freeze-frames coalesces into an ultra-accelerated noise storm that is truly the ultimate one-man rock band. Masonna began serious live performance in 1991, coupling over-the-top physical action with harsh noise created using just a microphone and the bare minimum of equipment. With the physical part of these performances Yamazaki would take his life into his hands - in tiny live venues he would run around like a madman, leaping into the air and flicking switches on his effects units as he landed. These were harsh and extremely violent events, invariably involving damage to both equipment and flesh. As a result, performances were usually curtailed after just a few minutes, but the effect of their moment-by-moment energy on anyone who witnessed them was intense. Yamazaki soon became known as the "jumping noise performer" and the "rock god of the noise world".

Основной целью интернет-магазина "marginal-buff" является распространение интеллектуальной и маргинальной культуры:

музыка... искусство... литература... кино...

Независимый андеграундный лейбл, выпускающий исключительно некоммерческую и малотиражную музыку для тех, кто не признает общепринятые музыкальные стандарты и чьи вкусы отличаются от культуры пивных дрожжей и отдает предпочтение элитарности и эстетизму закрытых дверей, ничего лишнего только своеобразие форм…